Abstract Art Art And Conceptual Art - 2921 Words

The second chapter aims to examine more closely the understanding of readymade forms in the art world. Particularly, it focuses on two art movements that come to challenge the notion of art: found art and conceptual art. Both conceptual art and found art challenge the unity between form and content in art. Both seek the superiority of the one in opposition to the other, that is, form in found art and content in conceptual art. But could art survive merely as form or concept? According to Danto, the meaning of these works and their art identity does not depend on their formal properties but comes through an interpretation or theory. The problem with Danto’s approach is that it marginalises the role of the perceptual and of the experience of art. The chapter considers Seamon’s thesis on the modern theory of artistic value and Fowkes’s discussion of found art and conceptual art. Both suggest an understanding of these movements in terms of the internal or conceptual dimension of art, that is, the metaphorical function of art. This study aims to examine the notion of the conceptual in found art and conceptual art and the art identity of these works. Duchamp’s polished urinal calls the viewer not to see it as an image of something else, but rather to gaze it as an interesting construction. His Fountain (fig. 7) provokes the viewer to think the image of the urinal as a readymade object in the art world. It was this ‘objectiveness’, Bolge remarks, that pushed artists to abandon theShow MoreRelatedConceptual Gardening : An Architectural Style Of Gardening1663 Words   |  7 Pagesto break down conceptual boundaries and hold significant meaning when used to their fullest potential.1 With traditional garden design, there is a heavier emphasis on nature and environmental sustainability as seen through the usage of foliage and stones as primary building materials. Over time however, a new approach towards gardening has been develope d; one that allows for this medium to break free of its conventional restraints. This is attributed to the birth of the conceptual art movement in theRead MoreA Study Of Rauschenberg s Erased De Kooning Drawing1416 Words   |  6 Pagesseries, and so he came to the conclusion that the only way he could achieve this would be through erasure. He began experimenting with his own drawings, but still being a young artist it he didn’t think it would be considered art. For his idea to work, he thought, it had to be art that he erased. Having admiration and respect for artist Willem de Kooning, Rauschenberg decided to buy a bottle of Jack Daniels, and go to his house. Rauschenberg explained to de Kooning his idea, and asked if he could useRead MoreConsumerism Is All Around Us747 Words   |  3 Pageshow fare we are willing to go to obtain material possessions. Moreover, we are asked to reevaluate if money truly can buy happiness. The exhibition I $hop Therefore I Am uses contempora ry art from a wide range of artists to explore the theme of consumerism in modern society. This exhibition adopts a conceptual and narrative curatorial strategy to convey this all-encompassing theme. The groundbreaking nature of the exhibition is reflected in its title, I $hop Therefore I Am. The title itself impliesRead MoreHans Use Of Political And Social Themes1802 Words   |  8 Pagescontemporary and conceptual artists of all time. Haacke’s works are generally simply constructed yet exquisitely permeated with depth and importance through his integration of social, political, and environmental issues in his pieces that give them a voice they would otherwise lack. In the following essay, we will seek to understand just how Hans Haacke’s use of political and social themes causes his work to resonate with audiences on the scale it has done. When gazing upon the vast expanse of art historyRead MoreThe Conceptual Connection Between Art And Aesthetics2378 Words   |  10 PagesJoseph Kosuth claims his art is purely conceptual. What does this mean? Is he saying the work only exists as a conception, an idea? Can we therefore assume visual judgements have no relevance to his works – or in that case the work of other Conceptual artists? Is he also saying that when the work is ’made’ (by this I mean displayed to his laid out instructions) it has no visual base to educate and tell the concept or idea he wishes to be measured? Does he require his art work be considered to haveRead MoreEssay on art1081 Words   |  5 Pages contemporary art, the art of the late 20th cent. and early 21st cent., both an outgrowth and a rejection of modern art. As the force and vigor of abstract expressionism diminished, new artistic movements and styles arose during the 1960s and 70s to challenge and displace modernism in painting, sculpture, and other media. Improvisational and Dada-like styles employed in the early 1960s and thereafter by Robert Rauschenberg and Jasper Johns had widespread influence, as did the styles of many otherRead MoreEssay on Frank Stellar1821 Words   |  8 Pagesreaction against Abstract Expressionism. He was then exhibited widely in New York, Los Angeles, and elsewhere. A retrospective exhibition in 1970 was held under the auspices of the International Council of the Museum of Modern Art in New York. He began as one of many post war minimalist painters, but then his work took a different route from the others, leading him to a second career in abstract expressionism. In this career, he struggled with issues, which had placed abstract art in a standstillRead MoreContemporary Art And Artistic Practices1465 Words   |  6 PagesCommunity-based Artistic Practices are not a complete novelty in contemporary art, their rhetoric are being used as strategic tools, to support discourse such as democracy, equality, social justice among other, from the 1960s on a explicit way. Even less, this â€Å"social turn† , understood as an ethical shift by artist and c ritics who focus their attention on the aspect of social usefulness of the art practices, characterized by an increase of art projects that emphasize participation, dialogue and community engagementRead MoreMarcel Duchamp And John Cage1574 Words   |  7 PagesThis essay will demonstrate how two revolutionary artists, Marcel Duchamp and John Cage still play a significant role in contemporary art practice and theory today. During the early 20th century, Marcel Duchamp was influenced by the emerging artistic movements such as Dada and Cubism. He experimented with Cubism briefly and attempted to capture time and motion in a cubist style painting. He endeavoured to â€Å"detheorize’ Cubism in order to give it a freer interpretation’. Inspired by his time lapseRead MoreEssay on The British Avant-Garde: A Philosophical Analysis3201 Words   |  13 PagesThe British Avant-Garde: A Philosophical Analysis ABSTRACT: British Avant-Garde art, poses a challenge to traditional aesthetic analysis. This paper will argue that such art is best understood in terms of Wittgenstein ¡Ã‚ ¦s concept of seeing-as, and will point out that the artists often use this concept in describing their work. This is significant in that if we are to understand art in terms of cultural practice, then we must actually look at the practice. We will discuss initiatives such as the